We have been enjoying a very dry summer here in northern British Columbia, and while the wildfire risk is very high right now, and the air is filled with a haze of smoke (again), it is idea weather for weekend adventuring. A week ago we drove out past Tumbler Ridge, BC to Kinuseo Falls. It’s a beautiful spot, and we especially love the solitude. Only the most determined traverse the ridged gravel 40 km into the backwoods to enjoy Monkman Provincial Park.
Along the way I was struck by the beauty of the fireweed, in full flower. Fireweed gets its name from being the first bloom to carpet burned-off wildfire zones, and it’s ubiquitous in our forests and roadways in summer, arching magenta spires above the sweet clover and wild grasses, twined among baby spruce trees and huckleberry bushes. In some areas it enveloped acres in a misty fuschia swath.
Of course I had to paint it when I got home, using a fresh tube of Opera Pink and my beloved Rose of Ultramarine from Daniel Smith. The violent pink dots are where I actually scraped the mouth of the open tube across the page, aiming for the fullest saturation of colour.
I recently bought a jar of Golden Watercolour Ground. This medium can be brushed over almost any surface to give an absorbent, paper-like finish that can be painted on with watercolour. Very exciting to try out and see how it reacts to my watercolour methods. I brushed it over a 12″ x 12″ canvas and painted a second fireweed-inspired painting. I added in a few individual blooms this time, and a burned out tree trunk. The watercolour ground really absorbs colour – I find that the first few layers of paint dry to a bit of a chalky finish as they soak into the ground, and the edges are a little different than I’m used to on paper, but I love the possibilities for painting on canvas – with a coat of finish, this watercolour won’t need to be framed under glass.
“Fire-Kissed” measures 19″ x 22″ and is available for purchase.
“Fireweed & Stump” measures 12″ x 12″ is available for purchase.