Brush, Paper, Palette
Please remember that the materials listed are my current personal preference and this changes often as I try new materials. If you are using artist-quality materials, it doesn’t really matter what brand, size and style you use, as it does that you spend time building your skills. There is no magic brush that can give you an advantage over many hours of experience.
Paint & Choosing Colours
I use only artist-quality tube paint, which I squeeze into my palette and allow to dry for a firmer consistency and less paint waste.
Start with no more than 10 colours and really get to know them before adding new hues. A basic palette should include a warm and cool version of each primary colour; you can mix almost any colour with this in your palette.
White and black paint is not necessary. White is created by letting the white of the paper show through, while black absorbs light and appears “dead” in watercolour. You can mix black by combining two complementary dark-value colours, like green and red.
a palette: I like a simple plastic palette with many wells and several mixing areas, like this one from Reeves.
When you order using the links on this page, I receive a small commission. Thank you!
One pointed round brush is really all you need. I like synthetic as they are more affordable and can be quickly replaced when the point wears down.
Brands & Colours:
Brands I Use:
Start with Basic Colours:
A warm red (Cadmium Red)
A cool red (Alizarin Crimson, Quinacridone Magenta)
A cool blue (Cobalt or Ultramarine)
A warm blue (Phthalo Turquoise)
A warm yellow (Nickel Azo Yellow, Raw Sienna)
A cool yellow (Lemon Yellow)
Optional Additional Colours:
Winsor (Dioxazine) Violet
I cannot stress enough the importance of artist quality watercolor paper. If you are using cheap paper, your washes will not have the responsiveness and flow that you see in my paintings. Not only that, but you will learn bad habits, working “around” the limitations of cheap paper, and when you switch to great paper for your “important” paintings, you will struggle again trying to adapt your “bad paper” habits to fit the flow & absorbency of artist-quality rag paper. If you buy one expensive supply, let it be your paper, and remember, you can still enjoy a great painting session and improve your mental health for less than the cost of a cup of Starbucks.
- Paper towel or clean rags for blotting a wet brush or lifting paint.
- Masking tape
- Painting Boards – tape watercolor paper on 4 sides to a board so you can move the board and change angle for better flow when you paint. I like cor-plast boards (plastic sign material) from the hardware store.
- Salt to sprinkle on wet washes for texture
- Cling Wrap – lay on a wet wash for texture
- Magic Eraser – lifting out almost to white paper (for emergencies)
- 2 water containers – one for cleaning the brush, then rinsing in the second for perfectly clean paint & washes
Notice I didn’t list masking fluid. I never use it as I prefer planning my white areas for a more natural look.